Hour of the Time

Veritas News Exclusive
Contributed by The Ghost

Cinemalogical Warfare

One of the most powerful aspects of psychological warfare in American society is the magic of the motion picture. The movies which emerge from the propaganda mills of the Hollywood magi contain powerful messages and function as an expertly-crafted form of non-lethal weaponry – weaponry aimed at directly influencing the human mind, and often influencing it in such a way as to advance a political agenda.

A History of Mental Violence

Hollywood is notorious for being a hotbed of communism and anti-Americanism and has been churning out subversive mind control in the guise of entertainment since the 1940s. Very little has changed since then outside of content being updated and adjusted to suit contemporary needs and trends. The movies coming out of Tinseltown today are still openly and ferociously undermining our institutions, debasing the morals of American society, and relentlessly pushing the agenda of the World Revolution (the war currently being waged to destroy the individual freedom and sovereignty of nations and peoples and build on their ruins a new collectivist “utopian” world order (The Great Work, Golden Dawn, New Age, New Atlantis, etc).

New World “Entertainment”

Leaving aside for the moment the wanton stupidity, sophomoric humor, sex, violence, racism and political correctness, the subject matter of modern movies runs the gamut of themes integral to the new world order, and frequently these themes overlap. There are anti-capitalist movies. There are anti-gun movies. There are “Green” movies. There are anti-military and anti-intelligence community movies. (Generally the latter, even when based on legitimate criticism, stem not from genuine concern for the Republic but from a fervent hatred of and desire to undermine it.) Many movies contain overt pro-communist or anti-anti-communist propaganda (Che, Good Night & Good Luck). Others mock and belittle “ultra right-wing fanatics” and portray liberals (historically the useful idiots who have helped to advance the cause of international socialism) as the heroic idealists responsible for the “fall of communism” (Charlie Wilson’s War). Countless movies flaunt in-your-face occult and/or New Age doctrines. At least one recent blockbuster (Indiana Jones and the Kingdom of the Crystal Skull) skillfully combines these two elements (i.e., anti-anti-communism and New Age occultism). Movies like The Lion King, 2001: A Space Odyssey and Star Wars vividly depict teachings straight out of the ancient Mystery Schools.

Shutting Down Debate

The list goes on and on. There are mind control movies, UFO and alien invasion movies, movies about covert operations and the “black world.” Frequently the treatment controversial subjects like these are given serves to completely neutralize their significance and contaminate actual debate or discussion. A similar tactic of character assassination is especially evident in the outrageously disgusting hit-pieces aimed at demonizing American patriots and, specifically, the Militia (The Rock, ATF, Land of the Free, Hijack, Militia, Arlington Road, and more recently Déjà Vu.) (Look for more of these to crop up in the days ahead while the extreme left remains in power.)

The Magic Kingdom

Although this is by no means an in-depth examination, no discussion of American cinema would be complete without a mention of The Walt Disney Company. This company, often referred to simply as Disney, is the largest media/entertainment conglomerate in the world and has been at the forefront of introducing children to the brave new world of New Age/occult collectivism for over 70 years. Disney is often criticized for the anti-Christian themes in its movies and there is a tremendous amount of controversy over allegations of subliminal messages, often sexual in nature, being planted in their animated children’s films. Regardless of the validity of these claims, it is undeniable that many (if not most) Disney films involve New Age/occult themes, witchcraft or other esoterica (such as UFOs and aliens in Race To Witch Mountain and Freemasonic conspiracies in the National Treasure movies.)

Into The Light

In recent years, a couple of films have actually mentioned by name the now-infamous secret society known as the Illuminati. One of the first (if not the first) to do this was a silly video game-based movie called Lara Croft: Tomb Raider. (While the movie itself is awful, it may be worth watching for anyone interested in how these subjects are dealt with in pop culture.) More recently, however, the gloves have come off and an unprecedented attempt is being made to “mainstream” the Illuminist Brotherhoods. Angels & Demons, based on the novel by Illuminati groupie and hustler Dan Brown (author of The Da Vinci Code), features a plot which revolves entirely around the alleged centuries-old war between the Order of Illuminati and the Catholic Church. (Anyone who wishes to learn more about the Illuminati, the Great Work and the Mystery Schools should obtain the audio series entitled Mystery Babylon by William Cooper. It is by far the most thorough and accurate exposition of its kind ever produced.)

Bolshevik Origins

Perhaps not surprisingly, modern filmmaking has its roots in the propaganda films produced by the Bolsheviks during the early years of the Soviet Union. These bloodthirsty, hate-filled and deeply anti-Christian communist revolutionaries pioneered the art of motion picture propaganda, particularly through the use of editing techniques. By cutting quickly between specific scenes and images, the Bolshevik filmmakers discovered a powerful means with which to manipulate the emotions (“press the buttons”) of the audience. These Pavlovian editing techniques soon found their way (or were deliberately brought) to Hollywood and have been improved upon and used by American communists and fellow travelers to corrupt the minds of the people ever since. As moviemaking has evolved over the years, the Bolshevik technique of emotional manipulation has remained at the core of the process and – due to advances in the industry and corresponding shifts in popular culture – today is more powerful than ever.

Intellectual Ammunition

The only way to counteract and defend against this kind (and most kinds) of mental conditioning is to be informed, alert, and standing solidly on a firm philosophical, spiritual and moral foundation. Having been deprived of these things by the government school system, and left reeling in a daze by the various other forms of psychic assault encountered daily in our society, most Americans – particularly young people – are wide open to the devastating blows delivered easily and repeatedly whenever they unwittingly turn for relief to the sugar-coated poison of cinemalogical warfare.